Showing posts with label Hollywood Studios. Show all posts
Showing posts with label Hollywood Studios. Show all posts

Saturday, January 4, 2014

Olympus answers our "issues" with long exposure noise


I know it has been a while since I've posted anything to the blog.  I have been extremely fortunate to have had event photography gigs and engagement sessions to keep me extremely busy during the winter holiday.  Although I wish I could make photography a full-time job, my current 9-5 position keeps the bills paid and the hobby going, thus the blogs neglect. I appreciate those of you following for being patient and understanding.  



Not too long ago, I posted a blog post about long exposure noise with the Olympus OMD E-M1 with the camera set to Noise Reduction off.  Well, it seems Olympus was listening to our complaints, but not in the way some astro-photographers would appreciate.  Below is a list of all the updates Olympus has made with Version 1.1:

• Live Bulb image quality while noise reduction is on has been           improved 
• Improved AF operation 
• Image stabilisation in sports, children mode and C-AF has been        improved 

• Chromatic aberration caused by LUMIX G VARIO 14-140mm         1:3.5-5.6 ASPH/POWER O.I.S (H-FS14140)


It is quite interesting to see a firmware upgrade that addresses an issue that crosses lens brands in the Panasonic 14-140mm. However, I find it puzzling that they did not address a major complaint that many photographers have made on forums about the noise issue when taking long exposures.  As a quick reminder, many astro-photographers choose not to turn the NR On, as it doubles the length to process a LE shot (IE - a 10 second shot takes 20 seconds to write to the memory card).  This is problematic for shooting star trails or certain landscapes.  Again, NOT a problem for me, as I shoot mainly landscapes and structures that do not move.  It's still early in the E-M1's lifecycle to worry that this will not be fixed. The following images were all taken at night with exposures longer than 5 seconds.  There seems to be a certain range where hot pixels and noise becomes truly apparent, but I haven't found a definitive length.  



Despite my apparent complaint about the camera, I must admit, after several months of use I am floored about the usability of the camera.  The button layouts and the dedicated HDR/Bracketing function facilitates its use and makes it a joy to shoot in bracketing mode.  When I had the E-M5, I remember it being a chore navigating in and out of the menus to get to the desired HDR mode; heck, the Panasonic G5 did a better job in this department.  With the E-M1, I now think about HDR as a primary goal during an outing rather than an afterthought or "something cool and different to try out".  I went to Disneyworld with every intention of trying this out and I think it functioned like a dream.
    

Thanks again for stopping by.  I definitely plan on being more up to date and active on the blog in 2014.  I hope you all have a wonderful holiday season and an even better new year.    



So say we all,
Dino






Friday, November 22, 2013

Traveling Light with the Micro Four Thirds

Cinderella's beautiful castle
The blog has been fairly quiet for the last couple of weeks and for good reason.  I recently made a pilgrimage to the motherland. That's right, Disneyworld, out in Orlando, Florida.  I know that Disneyland was the first to open back in 1955, but this was my very first trip back to Florida since the early 90's.  My only real memory of Disneyland was going to Cape Canaveral and EPCOT with my family (special points to those who know what EPCOT stands for without googling it).  Sadly I don't remember much of the trip, so I knew this was going to be something truly special


My girlfriend and I have been planning for this trip for approximately 2 years and wanted to tie this in with our running goals.  Disney offers a special Coast to Coast medal to runners who complete a half/full marathon in California and Florida within one calendar year.  I will save my thoughts about the race for another post, but I highly recommend taking a trip out to Orlando for their night races.  I would say that it's one of the best, if not the best race I have ever participated since I've started running (more on that another day).   I knew that this trip was going to be extraordinary and I wanted to document as much of it as I could.  Deciding what gear to bring was probably the hardest thing to decide, but luckily the micro four thirds bodies and glass lends itself as being the best travel equipment any enthusiast/pro can bring.  It's light, it's fairly durable, doesn't take up much real estate and you don't sacrifice much on the image quality end.  Below was a list of camera related gear we brought along in our backpacks:

- Olympus OMD E-M1 (I was thrilled this came in before the trip)
- Panasonic GX-1 (for Heather)
- Olympus 75mm f1.8 (wanted to bring it for the shows)
- Panasonic 25mm f1.4
- Sigma 30mm f2.8 (a review on this later)
- Olympus 17mm f1.8
- Lenovo Yoga Ultrabook (the perfect travel laptop and workhorse)
- Manfrotto Tripod (heaviest part of my gear, weighing a little over 3 pounds)

Animal Kingdom from Expedition Everest - Do you see the Tree of Life?
Looking at this list, you might think I would need a special carry-on for all of this gear, but I didn't.  At the risk of beating a dead horse, it really was no sweat off my back lugging all of this around, save the ultrabook, the entire trip.  In fact, it was the tripod that eventual got the best of me towards the end.  Not once did I ever complain about having too many lenses or feeling like my camera was too heavy.  It was the perfect companion.  I ALMOST considered running the half marathon with the GX-1 like I did in the last Disneyland 10k (but with the OMD), but decided against it.  In retrospect, I would have brought the camera, especially since the after-race Wine and Dine Festival was just fantastic.

The Spectacle of Lights - Hollywood Studios. Yes, we ran through this as well

I never appreciated the significance of traveling light until I went on this trip. Not only was getting through the airport a breeze, having a light camera set-up with almost no compromises (in my case, absolutely nothing) on multiple 10 hour (plus) days throughout the Disneyworld resort was invaluable.  I am really beginning to believe that mirrorless is the future and will soon be the go-to camera for travelers.  All in all, it was a fantastic trip and I can't wait to share my photos and experimentation with HDR with you all.  Thanks for stopping by.

So say we all,
Dino